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Life Journey

by Jeremy Breningstall Wednesday 02 February 2011
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Life Journey, a rock band on the Modern Sky label, came to Liuzhou, Guangxi for a hometown show January 29. With several band members’ parents in attendance, the show sounded a bit more poppish than usual. The band wore all red, their theme color for the moment. Avid fans waited outside the Happy Time bar to get into the 3 p.m. show (Happy Hour? In any case, efforts by this journalist to order a cocktail were unsuccessful). Word is the band is hard at work on a new album. Life Journey's music can be sampled here:  lifejourney

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LOgO on Xingfu Road: R.I.P.

by Jeremy Breningstall Sunday 23 January 2011
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Though I live a 20-minute walk away, I was never a great patron of LOgO. But when I heard they were reopening for a last hurrah Thursday, I had to swing by for a drink. In a neighborhood full of malls and Starbucks branches (I think there are eight of them within walking distance of my house), LOgO offered something unique and unpretentious for the wee hours- and a good jamming station for local and indie bands. The Xujiahui neighborhood (also losing Mao Livehouse) is particularly desperate for culture. LOgO’s cultural niche will now be relocated to partner station Lune, according to Laybozi.

 

By Jeremy Breningstall

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A Conversation With The "Godfather" Of Taiwan And China's Music Industry

by MusicDish China Monday 17 January 2011
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As China's stature on the world stage grows, so is the attention being paid to its music industry, and for good reason: With 620 million mobile users and 420 million Internet users, it already has the potential to be the world's largest music market.  A consumer population that massive will also have growing influence overall on what the world listens to. What is much less understood is that when one looks at China's music industry, they are really looking at a mirror image of Taiwan's, which has played a pivotal role in the development of modern China during the last 60 years.

Consider these numbers:
* Over 80% of the music created or produced in the Greater China market comes from Taiwan.
* Taiwan's music repertoire is responsible for 70% of music sales in Mainland China, while international artists account for 12% and Jpop/Kpop sales account for 4% of sales in the China market.
* In the 2009 live performance market in China, 55 concerts featuring Taiwan artists generated US$210 Million in ticket sales.

In order to better understand this often underlooked music market, I had the opportunity to interview Mr. Tsu-Tsu Wu, who is part of the Taiwanese delegation attending this year's MIDEM conference. In addition to being President of UFO Records, Mr. Wu is the Founder of The Association of Recording Copyright Owners (ARCO) and The Music Copyright Society of Chinese Taipei (MÜST). In recognition of these outstanding achievements Mr. Wu was presented the "Special Contribution Award" at the 16th Golden Melody Awards (equivalent to the Grammy Awards).

Mr. Wu was also the co-founder of the Rock Record together with Sam Duan. Later he formed UFO Records and produced, released and managed many top-chart selling pop artists. In 1993 he sold UFO Records to Warner. He was president of Warner Music in the Greater China Region for 5 years. During his time at Warner, Mr. Wu released the first Chinese international pop album, Dadawa "Sister Drum", to the world market. He also arranged Dadawa's performance at MIDEM during the mid-1990's. Sister Drum sold over a million copies worldwide. This album remains today as the only Chinese album to have sold over a million albums worldwide.

I'm pleased to share Mr. Wu's insights on Taiwan's pop music industry, it's influence on the mainland, the role of new medias in developing talent and MIDEM 2011. But I'd first like to thank John Solakian and Yvonca Ning for allowing me to share the interview in both English and Chinese.

吳楚楚訪問摘要

You've been a key figure in Taiwan's music industry over the last 20 years. How has it influenced mainland China over that time? Is it likely to wane in the future as China's culture sector develops?

以吳楚楚先生在過去二十年台灣音樂產業深度經驗,您認為台灣過去以來如何影響中國音樂產業發展?台灣這樣影響的狀況會隨著中國文化方面發展逐漸降低否?

台灣跟大陸因為使用共同的語言,所以早在兩岸開放探親前,台灣流行歌曲已經透過其他途徑傳入中國大陸,例如鄧麗君或是早期校園民歌,以至後來的蘇芮、小虎隊也相繼運用商業操作模式進入大陸市場。

Because Taiwan and China share the same language, Taiwan's pop music was able to enter China even before the relaxation of travel restrictions. The likes of Teresa Teng and the early campus folk songs, and later Julie Su and Small Tiger Ruan, all used various commercial channels to enter the China market.

早期的市場沒有年輕人聽的音樂,不管台灣或是大陸的年輕族群會自行尋找想聽的音樂,所以在資訊缺乏的情況下,還是能造就鄧麗君如此流行轟動的紀錄,可見台灣流行音樂影響力深遠。

Even though the market initially lacked the types of music young people sought out, Taiwan's and China's youth found ways to get desirable music. Even back then - and without exactly knowing how to go about it - the fact that Teresa Teng could have such hits in China showed how Taiwan's pop music could have a profound influence in China.

近十幾年來,大陸開放後,台灣的流行歌手進入大陸演出,台灣流行音樂流傳更為廣泛,對大陸而言,音樂的技巧並不難,主要的差異來自於文字 和知識文化的門檻,因為台灣注重基本教育和知識的水平, 所以台灣可以培養出優秀的創作人,寫出詞藻優美的歌詞, 反觀大陸因為戰爭、文革,創作不及台灣有深度,這也是大陸流行音樂目前無法超越台灣的原因。

With the relaxation of travel restrictions to China over the last 10 years, and with Taiwan's pop artist now performing in China, Taiwan's pop music has become even more popular. In China's market, music skill is not necessarily the key, rather it is the difference in cultural level that has really had a major impact. Taiwan has focused heavily on education and has produced many people good songwriters. By contrast, China went through wars and the Cultural Revolution; therefore, the level of songwriting is not as deep as in Taiwan.

最原始的流行音樂基本架構其實很簡單,一個人哼哼唱唱就能產生,但現在因為媒體力量的介入,傳播力度跟音樂結合才造就新的流行音樂,好音 樂仍需經過包裝和適度的修飾才能成為流行。反觀大陸則是跳躍式,許多普羅大眾琅琅上口的歌曲,如:「兩隻蝴蝶」、「老鼠愛大米」都是發跡於網路後成為經 典,這部份在台灣是比較少見的現象。

The original pop music structures were very simple; one could humm and produce a song. However, with the involvement of today's powerful media, promotional efforts and music have merged to create new pop music. Still, good music needs packaging and a certain degree of polish in order to become popular. By contract, Mainland China has jumped ahead with highly popular songs like "Two Butterflies" and "The Mouse Loves the Rice" that become instant classics after their internet releases. This type of situation is rare in Taiwan.

大陸消費市場有雄厚潛力,這樣的市場廣度勢必會造就一些新的事物,對於音樂的包裝及商業操作技巧,大陸仿照台灣的模式已經發展成熟,但在 創作部份仍需長時間累積才可能培養人才。 雖然台灣的音樂產業人員紛紛赴大陸發展,會加速大陸市場商業運作機制的成熟,結合本身市場所製造的媒體效果也會更加強大,但創造與發明仍是台灣的優勢,台 灣具有自由的創作環境,有無限的可能性,即使做音樂並不一定賺錢,台灣仍有蓬勃的人力投入音樂產業。

The large consumer market potential in mainland China will surly create new opportunities for further market development. Yet, as the packaging of music and business operations skills - patterned Taiwan's models - become matured, Mainland China's creative talent will still take a long time to develop. While many Taiwan music professionals have gone to Mainland China and helped the mainland market accelerate its commercial business maturity, their impact will be more powerful when combined with the powerful media effects the market creates. Creation and invention continue to be Taiwan's strengths. Taiwan has a free creative environment with limitless possibilities. And even though making music may not be profitable, there are still healthy amounts of manpower entering the music industry.

南韓的文化創意產業因為政府支持、企業贊助,在短期內發展十分顯著,我認為台灣政府應該致力於塑造公平競爭的環境,讓有才能、有創意的人有發揮的空間。大陸雖然文化面仍在追進之間,但有強勢的統治單位,自由度較低,而相對的政府公權力強大,能讓政策有效率的推展。

Through government support and business sponsorship, South Korea's cultural and creative industry developed significantly in a short period of time. I believe Taiwan government should work to shape a fair competitive environment where talented and creative people have space to work/create. Mainland China may be slightly behind, but it has political will; with a lesser degree of freedom, government authority is relatively strong and can effectively push policies through.

Is it likely to wane in the future as China's culture sector develops?

台灣這樣影響的狀況會隨著中國文化方面發展逐漸降低否?

大陸以台灣的流行音樂為主標,也借重台灣人才做音樂,從兩岸近期頻繁的互動看來,台灣以創意、文化內涵佔有優勢,但以大方向來看大陸仍具未來發展的最大優勢。

Mainland China's pop music standards are based on Taiwan's. It also draws on Taiwan's talent to produce music. From the recent cross-straits interactions that frequently appear, it is evident that Taiwan's creative and cultural content retains its lead, but in terms of its general direction, China will remain with the greatest advantages for future development.

From the internet to mobile phones and 'Idol' competitions, the Taiwan music industry has seen many changes over those same years. Foremost have been the changes in how consumers interact with music. Do you feel that these changes have had an overall positive or negative impact to breaking talented pop artist?

從網路到電視造星競賽,台灣見證了這樣的變化發展方向。而最重要的就是消費者改變了跟音樂之間的互動關係。您覺得整體而言,這些改變對於一個有潛力的新秀是正面還是負面的衝擊跟影響?

音樂真正成為一個產業並沒有非常長的歷史,從愛迪生發明留聲機開始,唱片工業的發展不過百年,技術不斷推陳出新。從黑膠唱片發展至今,本質 仍然是歌詞、音樂、歌手,重大的改變在於新媒體傳播的產生,以前唱片公司整體的功能,現在個人就可以做到,工具的改變對唱片市場是很大的衝擊。

An organized functional music industry was not formed very long ago. With the invention of the first phonograph by Thomas Alva Edison, it is at most 100 years old. From the vinyl record to today, music to people, the essentials remain the same: the lyric, the rhyme and the artist. If observed carefully, it is just new means of promotion and marketing that have brought revolution to the industry. Unlike the past, artists do not need record labels to release music - they can now do it from their basements.

以往做好音樂就有一定的把握賺錢,現在卻不成立。相較於戒嚴時期因為媒體由政府控管,唱片在市場上反而有更多露出,以填滿娛樂缺乏的現 象。現今發行專輯在宣傳上需要投入更多的資源、花更多的錢才能達到預期的效果,而且難以回收。但人還是需要音樂,雖然媒介的改變影響了創作人以及從業人員 的經營模式,但商業的產值也在其他領域體現,不限於發行實體的獲利。這一個行業普遍而言,是百分之五的人賺了百分之九十五的錢,走在前端的人強勢佔有市 場,強化了娛樂產業的本質。

In the past, as long as you had good music, you were guaranteed to make money. But, this is no longer the case. During Taiwan's period of martial law, all media was monitored and controlled by the authorities. With such limitations, the marketing of music quickly achieved the best results in the shortest amount of time. Nowadays, music marketing has become far more costly and time-consuming, even while trying to achieve the same - or far less, promotional outcomes. But people still need music, and the media changes the impact to the music creator and the music business model. But the industry's value has also appeared in other areas; it is not just physical products generating revenue. Currently, 5% of the population makes 95% of the profit. So whoever leads the market occupies the greatest market share and enhances the entertainment business.

綜觀在星光大道等選秀節目的素人以及在部落格發表創作的個人,走紅方式有別於以往,選秀節目出身的藝人,其優勢在於跟媒體結合,已率先佔 有通路。 有的音樂人不喜歡站在幕前,因為追求的理念與目的不同,歌藝不好的人若懂得商業運作也有機會走紅。喜歡音樂的人自然而然會跟音樂走在一起,產生許多想法並 激盪出火花。但也不是每個例子都成能立,一切仍取決於藝人本身的特質和努力,所謂的一夕爆紅並非完全僥倖。

If we look at those artists from the pop idol shows and the individuals from blogs, the ways they have become famous are different from those in the past. The pop idol artists have the advantage of connecting with the media and have priority in terms of distribution. Some music talent does not like being on stage as the pursuits of their ideals and goals is different, while others - not as talented - may know how to use the commercial operation to make themselves famous. But, those who truly love music and who naturally go after it - will create new ideas and 'send off sparks'. Of course, not everyone can succeed; it is still depend on the artist's own character and hard work. It is almost impossible to be famous overnight.

As a president of Warner Music in the Greater China Region, you released Dadawa's "Sister Drum", the only Chinese album to have sold over a million copies worldwide. What were the ingredients to Dadawa's worldwide sucess in the mid-1990's? Will it be replicated in the coming decade?

阿姐鼓是在您擔任大中華地區總經理的時候推出的專輯,也是唯一華語演唱專輯在全球首度超過百萬張銷售成績的專輯。您覺得是怎樣的綜合因素造成這樣的成功案件?在未來十年間,這是可以被複製的成功案例嗎?

當時主要是自己喜歡這個音樂,加上跟華納合作互動密切,我們在香港當著所有華納高層的面讓他們聽這個音樂,利用華納的力量相輔相成,因為這樣的緣份,才讓全世界聽到她的聲音,這張專輯後來入圍BBC世界音樂大獎,是天時地利人和的結果。

At the time, it was mainly because I personally liked the album, plus I was working with Warner closely. I had the opportunity to present this album in Hong Kong to Warner's top executives and take advantage of Warner's complementary strengths. As a result of these favorable events, the world had chance to listen to her music and the album was later a finalist at the BBC World Music Awards in the Best Album category.

之前蘇芮、小虎隊要進大陸時,當時有個在大陸引起旋風的歌手崔健,他的批判意識和搖滾精神對剛開放的大陸造成衝擊,成為當時最具代表性的 人物,引起世界注目。相較之下,即使在台灣紅極一時的歌手,在海外不一定有人完全買帳,但未來大陸成名的歌手,其他國家卻很難忽略,這或許是大陸的優勢, 所以台灣的歌手除了要努力在台灣成為第一,也要想辦法在整個華人世界成為第一。

Previously I mentioned Julie Su and Small Tiger Ruan - during that same period there was a revolutionary artist in China, Cui Jian, whose critical consciousness and rock spirit created a great impact in China, making him the most representative figure and drawing worldwide attention. In comparison, while the top artists in Taiwan may not receive full attention from the international market, in the future if they become famous in China, they will have the world's attention. Perhaps this is the advantage China really has. So, not only must Taiwan's artists work hard to become number one in Taiwan - they must also work to become number one in the greater Chinese world.

You also arranged for Dadawa's performance at MIDEM in the 90's. What role will MIDEM play in 2011 for Taiwanese music companies and artists?

吳先生是第一個將阿姐鼓推展到世界舞台,也在九零年代安排朱哲琴於MIDEM演出,這次2011年台灣音樂/藝人將在MIDEM扮演什麼樣的角色呢?

金曲獎藝人前往MIDEM展演是值得鼓勵的,台灣需要把好的東西帶出去,是否經得起考驗要到國際上去檢視,真正有潛能的藝人,勢必能有所發揮,同時也要多方發展,MIDEM只是其中之一,應該無所不用其極地推廣。

The winners from the Golden Melody Awards should have the opportunity to perform at MIDEM - this should be encouraged. Taiwan needs to showcase its good work and determine which artists should test the international market. The artists with real potential should get exposure in as many different venues as possible - MIDEM is one example - and be promoted everywhere.

對於本次前往MIDEM論壇的目的,主要也是想多方涉獵新知,很多事情沒有經驗未嘗不是好事,勇敢嘗試可能會遇見不一樣的契機,不該劃地自限。對於能有機會能前往MIDEM感到很榮幸,代表台灣參加論壇壓力雖大,但也希望可以讓台灣被更多人看見。

My purpose in attending MIDEM is not only to speak at this Forum, but is mainly to research more new knowledge. There are a lot of unexplored areas; it would be interesting to check them out and see what opportunities develop. I do feel great an honor to attend MIDEM and speak for Taiwan at the Forum, through this my hope is that more people will recognize Taiwan.

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Selective focus: A few thoughts on budget cameras for 2010

by Jeremy Breningstall Saturday 25 December 2010
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My sister sent me a message the other day and asked what I thought of the FZ-35, an outgoing model Panasonic super-zoom point-and-shoot. “What do you want to use it for?” I asked her. How a camera will be used makes a big difference in which camera to recommend and I wanted to know why she was looking to upgrade from her current Canon Elph.
She told me she admired the pictures taken by colleagues at work that had selective focus (shallow depth of field) and she also wanted a camera that could freeze fast action.
I had to tell her that a consumer super-zoom isn’t likely to be good at achieving either goal.

Like most point-and-shoots, the FZ-35 has a 1/2.33” sensor, only a tiny fraction of a full-frame 35mm-size sensor. It also has a fast- but not overwhelmingly fast- lens with a maximum aperture of f/2.8. The combined dimensions are insufficient for strong subject isolation. The FZ-35’s small sensor also means it almost certainly is incapable of producing strong color photos at any ISO above 200- much too slow for fast action, especially in overcast light or indoors. Photos at higher ISOs on a 1/2.33” sensor will have both high digital noise and poor color range (the FZ-35 has a list ISO that going up to an incredulous 6400- clearly, camera marketers do believe there is a sucker born every minute). With no mirror, the FZ-35 is also reliant on contrast-detection autofocus- this kind of autofocus has improved substantially and Panasonic is on the cutting edge of its quickest speeds, but it still far slower than the phase detection autofocus used on conventional single lens reflex cameras (SLRs).

I don’t mean to pick on the Panasonic FZ-35- in many reviews last year, it placed in the top of its class. It’s better than most or all of its competitors. There are just inherent limitations to this genre of camera. Point-and-shoots are convenient to carry in the pocket but they cannot produce anything near the quality of a larger camera- though they can get some nice results in macro and snapshot photography.
Here a photo on Flickr illustrates the FZ-38 (same model) at its widest aperture: http://www.flickr.com/photos/bishybarneybee/4926266900/.
A far extreme away is the full-frame Leica M9 with an f/1.0 lens: http://www.flickr.com/photos/futureancient/3923418056/. A depth of field this shallow is impossible on a point-and-shoot. But we don’t need a $9,000 camera to show the difference. Here is a more mortal example from a Canon 550D with an APS-C sensor: http://www.flickr.com/photos/boudster/4785848085/.
Of course, one could play around with blur actions in Adobe Photoshop, but this wouldn’t be quite the same now, would it?

On the other hand, there are some budget options that would fit the bill for selective focus and action photography. (If your independently wealthy or making loads of money off photography, go out and buy a Nikon D3x. But if your looking for something to capture high quality photos for less than 8,000 RMB, here are the best bets in ascending order of quality/price.)

1) Buy a high-grade compact. Offhand, I can think of at least three point and shoots with an aperture of f/2.0 or faster- critical for getting fast shutter speeds, also well as moderately selective focus. Of these, the one I would recommend most is the Panasonic LX5 (around 3,000 RMB). With its f/2.0 lens and 1/1.7” sensor, the LX5 has a dual advantage over its FZ35/FZ38/FZ40 siblings. Another popular option is the Canon S95- also with f/2.0 lens and a 1/1.7” sensor. It doesn’t focus as quickly as the LX5 but is more pocketable due to its retracting lens. Of course, 1/1.7” is still a fairly small sensor (reaching up to about 400 ISO of decent quality color photos) which leads us to option 2…
 
2) Buy a mirrorless, or EVIL (electronic viewfinder interchangeable lens) camera and a pancake lens. This is an emerging category. My personal favorite in this market so far is the underrated Samsung NX10 (4,600 RMB with 30mm lens). The press has generated far more buzz for micro four-thirds cameras such as the Panasonic GF-1 and the Olympus EP series (called micro four-thirds due to a slightly smaller sensor size- much larger than 1/1.7” but smaller than the APS-C sensor in most SLRs and NX10/Nex-5).
The Panasonics have (reasonably) fast contrast detection focus and the GH1, one of the early models, has been praised for its video ability. The great flaw of the G cameras is their poor high ISO performance- only a stop or so better than the LX5. The Olympus EP cameras have better ISO performance and in-body image stabilization- but mind-bogglingly slow autofocus.
The latest entrant in this field is the Sony Nex series- equipped with the best (mirrorless) APS-C sensors but the worst lenses and the clunkiest menu and a shutter noise that sounds to me like the factory scene in Dancer in the Dark.

There are also some fixed lens options. Fuji has a 35mm f/2 APS-C hybrid camera slated for a March 2011 release at around 7,000 RMB. Ricoh has a modular camera that is super overpriced, but well-reviewed. Picking up the Ricoh GXR and the 28mm f/2.5 module- well, that could easily run you a tab of around 8,000 RMB.
Not impressed by any of these? Fear not. It may not be the time to jump into the mirrorless market just yet. Nikon and Pentax are both rumored to have new releases being readied for a 2011 rollout- either of these legends should be able to surpass anything in the current EVIL market.
For overall quality, there is no replacement for option 3…

3) Buy a consumer SLR. Consumer SLRs don’t cost much more, (if anything) than the current lineup of mirrorless cameras and aren’t all that much heavier to carry, especially if you’re planning on using a zoom lens (when a zoom is attached to a mirrorless camera, much of its size advantage is lost).
SLRs offer a few key advantages:

-Faster focus
-Larger catalog of lenses to choose from
-Better quality sensors
-Faster overall performance
-Easier tracking in optical viewfinder
For catching fast action specifically, SLRs are the only good option.

Among recent releases, my favorite in the consumer category is the Pentax K-r (5,000-6,000 RMB). It is solidly built, fast-performing and it has stellar image quality for its class, along with in-body stabilization. For aspiring videographers, the Canon 60D (7,000 RMB) is attractive, with an articulating LCD among other features.

I would ignore certain claims made in advertisements by the major companies- such as 12,800 ISO or in-video autofocus. 12,800 ISO on your typical APS-C sensor looks like a late Monet painting and the video “autofocus” on Nikon’s new D7000 jolts like a taxi driver rushing through heavy traffic.  On the other hand, pay close attention to things like viewfinder size, frames per second, high ISO quality, dynamic range, lens compatibility, HD video formatting and in-body vs. in-lens image stabilization (the latter better for video, the former better for saving money).
If 5,000 RMB is too high, there are also uber-budget options like the Nikon D3100 and Sony A230 (I would not recommend a Sony, but that’s a personal thing). Canon 40Ds, still well-regarded, are available on the used market for around 3,000 RMB.

For people with a bit more money to spend, there is the Pentax K-5 (9,000 RMB) vs. Nikon D7000 (8,000 RMB) vs. Canon 7D (9,000 RMB) slugfest- my take is that all three of these are great cameras and consumers looking for a mid-range should choose the one that fits them best. Most reviews give the K-5 and D7000 an edge for image quality and the 7D the lead in video and autofocus.
Quality isn’t super cheap- there are no 500 RMB solutions here- but there are a lot of choices.
Now go and take some pictures.
 

By Jeremy Breningstall

 

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From NYC To SH: Tomas Doncker's Long Road To China's World Expo

by MusicDish China Tuesday 14 December 2010
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Tomas Doncker's Long Road To China's World Expo by Michele Wilson-Morris www.musicdish.com/mag/bio.php3

It's not every day that an American artist is invited to perform at a major festival in China. So when global soul musician Tomas Doncker "http://www.tomasdoncker.net" was selected by the Chinese Ministry of Cultural Affairs to represent the U.S. at the first International New Folk Music Festival and Shanghai Performing Arts Festival "http://www.chinaspaf.com/", no one was more surprised than Tomas.

It all began in January 2010 at the MIDEM conference held annually in Cannes, France. Tomas had released the "Small World" EP in March of 2009 which was brought to the attention of the Chinese delegation attending the conference. Eight months later, Tomas would be performing during the World Expo 2010 in Shanghai. "It was a whole Shanghai/China party for a week," Tomas recalls, "and we did 7 shows in 6 days, performing for over 100,000 people. It was pretty spectacular!" In addition to the two festivals, Tomas was also invited to perform at America Square, the USA's Pavilion at the Expo. So how did it all come together?

The invitation to perform in Shanghai was just the beginning of a long sequence of events that would actually make the tour a reality. "It's one thing to be invited; it's another thing to be able to actually go. With budgets the way they are, sponsorship is crucial to independent artists. I saw Eric Clapton perform at Madison Square Garden this year, and as big of a celebrity as he is, he actually had sponsorship from T-Mobile."

While the Shanghai Performing Arts Festival provided accommodations, meals and ground support, there were other considerations, foremost amongst them being airfare. But again, luck was on his side. "I was invited to perform at St Barth's BAZ BAR club http://www.bazbar.com/ in April 2010 while the Shanghai deal was still on the table. BAZ BAR owner Jean-Marc Lefranc and I were talking about both the opportunity and dilemma. He agreed to provide the airfare for the entire band. Then, I really became excited. That meant we were actually going."

"Once that was secured, one of my managers, Mark Cope called me and said "I don't really know anything about China except that it's an very emerging market for Western culture entertainment, but there's a guy whose name is Eric de Fontenay and he's amazing - the things that he's doing, not just in China but in general with his company MusicDish - I'd like to put you in contact with him."  So, when I came back from the Caribbean, we performed at the Blue Note in New York and had two sold out shows there. I invited Eric by phone to come see my performance and he did, and his response was very positive."

After a trip to Beijing and Hong Kong for the  Music Matter conference http://www.musicmatters.asia/portal.php", Eric offered  MusicDish*China's official media sponsorship for the tour http://china.musicdish.com.

"So now, we had travel sponsorship, financial sponsorship and media sponsorship. It's one thing to be invited and another to know that you're going, but it's a whole other thing for people to know that you're coming. Eric was relentless - he's like a pit bull; he goes for every possible opportunity and connection when it comes to networking."

Once word began to spread about the trip, Eric suggested that they coordinate a release in China, and introduced Tomas to Robert Singerman with Berlin-based 88tc88 that is official sanctioned to distribute and promote music foreign music in China. Singerman was not just a key player because of the album release - he also introduced Tomas to Philip Jarrell, a guitar builder based out of Shanghai who connected with Tomas' music. Tomas was equally impressed with Jarrell's guitars, stating that "His instruments are the best I've ever played - absolutely phenomenal." That introduction led to him becoming an official Jarrell guitar endorser.

Jarrell, in addition to being a guitar builder is also a high fashion photographer with many connections and served as a major liaison to Tomas and his band once they were in Shanghai. "He documented the entire tour on film. There's actually enough footage for a documentary, which we will sit down and discuss after looking at it all. Right now there is one great clip of us performing Lucky Day at the Shanghai Expo in front of about 15,000 people. The people at the Shanghai Performing Arts Festival were kind of amazed at how much we had gotten done on our own. If you're going to be successful these days, you have to make your own connections, establish relationships and then build on them. We're going back to St. Barth's in December for another performance, for example."

Tomas has signed a distribution deal with Brody/Sony/Red and is launching his new label True Groove Records in early 2011 with the release of "Small World Pt.1 - Deluxe Edition." The "Small World" tour has taken Tomas and his band to D.C., New Jersey, California, Connecticut, Georgia, Colorado  - cities they went to before Shanghai was every mentioned. They toured the Caribbean in April and May, performed in Shanghai/China in September, and are headed back to the Caribbean to in December. "It's been a very busy year. I made up my mind that I would release this album and tour behind its release. I had no idea how I was going to tour, but I just prayed a lot, put my best foot forward, and it turned into a world tour and is still going on. Maybe we'll be like Pink Floyd and be on tour for three years. The rest is still in motion."

Tomas' next project is a multi-media performance piece about the people of Ethiopia and their struggles at the time of World War II. That album is in the final stages and is entitled Power of the Trinity. "We're in the process of acquiring backing for the project and hope to launch it next summer."

 

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Three Hours with the “24 Hour DJ”

by Jeremy Breningstall Friday 03 December 2010
Arminm2cm_10_11117_0

“Trance has a fast paced tempo that ranges from 130 to 140 beats per minute, (compared with an average of 80-100 for Hip Hop), and tends to be layered with domineering synthesizers. It is a genre typically associated with dancing…” -National Public Radio (NPR)

“Trance music gives you a full journey, and I feel that some other dance-music styles don’t do that; they stick to one sound… You can get away with playing anything as long as you are taking [listeners] on a journey.”
-Armin van Buuren, Time Out Chicago

 
I arrived at M2 at 12:30 Saturday night to catch Armin van Buuren, billed by DJ Magazine four times in a row as the world’s No. 1 DJ and famed for his three- and sometimes 12-hour sets. U.S.-based NPR dubbed him the “24 Hour DJ.” Twenty minutes in the coat check line and I was through the door. The opening DJ was just finishing his set and the audience was crying out, “Armin! Armin!” in anticipation. People on the floor wielded blue glow batons. The evening sessions began. Van Buuren danced to the music, smiled to the audience, stretched his arms out wide, threw a hand up, dipped into a prayer motion, reached out to shake an audience members hands before security pushed the audience back, then circled back into the same routine. For a several songs, seductively clad dancers strolled out onto the runway midway through the club. Despite the cold air outside, the dance floor was a sweltering pit. My City Moments business cards were soon soaked in sweat.


Here was van Buuren’s formula as I saw it:

1) Act like you enjoy your job. From the beginning to the end, van Buuren looked and acted like he wouldn’t rather be anywhere else in the world.
2) Don’t stop the music. Van Buuren did not interrupt his show to give any seminars or call out any mantras.
3) Play music that is original but pleasing. The songs were all catchy and dance-able but Van Buuren shied away from saturated pop hits. He mostly kept the pace moving fast throughout but settled in for a ballad or two later on in the show.

After a few hours of photography, it was time for a drink. I flipped through the Moscow M2, a kind of blend between the Moscow Mule and mojito (vodka, ginger ale, mint leaves).
At the bar I ran into a guy who said he just arrived from Amsterdam, where he saw van Buuren perform in front of 17,000 people. “I don’t know what you’re doing besides for work,” this fellow said. “Be an artist. Take pictures of daily life. People back in the West really appreciate that.”
Turning to van Buuren, my newfound friend said, “I’ve got a lot of respect for this guy. He still lives in a normal house. He built a studio in the basement. He has kept the same friends.”
By now it had reached 4 a.m. and van Buuren had outlasted me. I had work to do the next morning and did not stick around to see if he lasted for 12 hours.

If you missed his set, you can always catch van Buuren through his radio show (see http://www.astateoftrance.com/ for details).

Van Buuren said of the show, "In all honesty, music — and radio — is just trembling air, nothing more nothing less. But its what that trembling air does to you and me as human beings is what's interesting to me. Music is essential for our lives, and when you listen to radio the focus is purely on that medium. Radio really gets to your soul, and that's what I like about it."

Also check out the pictures I took from that night (see http://shanghai.citymoments.cn/events/dj-armin-van-buuren--2/albums/904)

Jeremy Breningstall

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The Dog Day’s of Winter

by crystal pfeifer Friday 26 November 2010
Down_blog

Its getting cold, need I say much more?

I’ll elaborate for you if you are new to Shanghai… those of us that have survived a few winters here are starting to feel the familiar ache of the humid bone penetrating cold air of Shanghai in Winters, and we are starting to fear frost bite… its coming, and this blog is here to help you prepare ~ I’ll sum it up with 4 words:

Get a down jacket.

“Why” you ask?

“Well” I say: 

They are warm, fluffy, and totally on trend this season.

This puffy shiny trend right fashion statement will keep you from freezing your ass off while you’re standing in front of a Lawsons at 3 am waiting for your friends ~ and shivering partners in crime will be so jealous… especially if you have a fluffy fur lined hood.

My favorite down designs this season are coming from Moncler, but look around ~ you can find them everywhere and anywhere, and of all shapes, sizes, colors, and price points.

XO

crystal

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Rain Can't Stop The Pet Conspiracy

by MusicDish China Tuesday 23 November 2010
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Rain Can't Stop The Pet Conspiracy @ Hangzhou West Lake Music Festival
 
10月23号一早,晕晕和joe,edo和mary一行从北京搭最早的一班飞机到杭州参加西湖音乐节,本打算到了,就调音,完了就演出,可早上7点mary给我打了个电话,说她和edo没赶上飞机,我当时在睡梦中,被电话惊醒后想杀了他们的心都有了,随后他们又补了张下班的飞机赶来,票就剩下头等仓了,俩人稀里糊涂的就走上了头等仓的道路,到了之后马上调音,可雨下的太大了,真害怕大家都电死在舞台上,我是这次电子舞台的策划人,所以考虑了很多安全的问题,也做了很多预防,宠物同谋演了这么多场演出,还从来没赶上过下雨,晚上7点我们准备在电子舞台演出了,刚插上设备,音乐节负责人张征跑上来,告诉我你们能去主舞台演吗?我当时什么也没想,就拆了设备跟着走了,到了主舞台才发现这边差不多有近万人,电子舞台也就不超过80人,上来就演,说来也怪,我们一上台的那一瞬间雨又停了,虽然没调音,但是音响状况出奇的好,所有人可能是因为在雨里站了一天了,加上一天的小清新,到了宠物同谋的时候全炸了,我就喜欢看台下混乱的场面,我就喜欢做小清新杀手,西湖音乐节办了五届了,我们是唯一只参加过两次的乐队,明年请,我们还敢来,观众简直是不点自着呀,说实话,我们都觉得西湖音乐节非常专业,做事情非常到位,这次雨长时间的下也让很多观众,和乐队精神和肉体上收到了摧残,但我希望,下次雨下的在大点,场面在混乱点,小清新在多点,宠物同谋就会凶狠点!
 
Oct 23, 2010, early morning: We (Drummer Edo and Singer Mary) had missed our a.m. flight from Beijing to Hangzhou. Although we were all supposed to be taking the same flight to the Hangzhou music festival to work on the sound check, only Joe and Fiona made it to the airport and stood waiting for the other two guys with their hot coffee. Our producer and guitar-player Huzi was already in Hangzhou, fancifully dreaming in the beautiful city, when he received a call from Mary that quickly changed his mood from that of peace and tranquility to rage! He wanted to kill them – missing the flight was a serious matter. So serious in fact, that later, Huzi decided to let them take the soonest flight available, which happened to be first class.
 
When Edo and Mary arrived at the venue, it was raining cats and dogs and we saw many colorful umbrellas and raincoats as we were walking down to the electronic stage. Beautiful rain yes, but at the same time, it occurred to us that if rainwater was dripping from the rooftop onto the stage, the stage itself would be drenched and anyone on the stage would be in danger of electrocution! As the booker of this music festival, Huzi was responsible for dealing with the issues regarding safety – which he did without too much of a problem. Never, in all their performances throughout China and Europe, had The Pet Conspiracy encountered such an enormous amount of rain as they did on that day.
 
Although we'd already taken the stage at 7:00 pm and had already started to play, a guy named Zhang Zhen, who had only 5 minutes ago set up all our instruments on the electronic stage, suddenly changed his mind and invited us to go and play on the main stage instead. Obligingly, we took our equipment and ran over to where we found nearly 10,000 people waiting! And, the rain was actually beginning to stop. We figured the sound system was bound to be incredibly great, so without any sound check, we began to play.
 
As soon as we started, however, it was as if a bomb had exploded. The entire audience began to dance crazily. Perhaps there had been a nice quiet folk singer on the stage just before; perhaps The Pet Conspiracy was so completely different that we totally recharged the atmosphere and the crowd couldn't get enough. Watching the fans dancing in front of us as one huge chaotic wave, was messy but super nice! That was the third time we played Hangzhou West Lake music festival, being the only band ever to be invited back to play twice. If we are invited next year, we'll definitely be back! We love the fans there, walking around in the muddy ground and drinking hot coffee, enjoying the music, the park, the gorgeous hills and the beautiful surroundings of Hangzhou west lake. We think the Hangzhou West Lake Music festival is one of the most professional festivals in China.
 
In conclusion? We hope next time it will be raining even harder, that we'll get our audience even higher, and that Pet Conspiracy will be rocking heavier than ever!
 
[Editor's Apology: If you're wondering why the photos don't look like the Hangzhou music festival, stop scratching your head - they are not. They were actually taken at the Zippo party in Beijing by Ken Lee. We didn't have any pics from the festival and you caught me. Oh well, we do with what we have!]

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Crowning Style

by crystal pfeifer Tuesday 09 November 2010
Guys_hats



The accessory you can’t live without this season is a great hat.

Lets start with the guys ~ because this little addition to your look takes you from average to eye catching with absolutely no effort. It even saves you time from fumbling with your hair.  Hats look great on everyone, a classic style for men is the fedora ~ right now you can find them in all kinds of fabrics and colors.  For a simple classic look, go for a black felt model, if you are more fearsome with your fashion, take a printed fabric ~ or even one of the more fashionable Tokyo shapes tipped up with a lower crown and short brim. There are also great driving caps, and modern shapes to be found for men these days.



For the ladies ~ you have oh so many choices. Felt caps, Fedoras, & Cocktail hats (also known as “fascinators”) are some of this seasons top choices. I love the Modern Vintage style of pillbox hats. They are smaller low profile styles that can pin into your hair to secure. They look so classy. You can also opt for really fun decorative pieces on clips or headbands for nights out on the town. For daytime traffic stopping headwear, I’d suggest a well-crafted fedora, clean classic lines with a unique trim.

For most of these looks you can find inexpensive ready-made hats around town in retailers like H&M or Zara. Check out local Xinle lu shops for mid-range prices & more unique styles. OR if you are ready to invest in a handcrafted piece designed specifically for you ~ call me. I studied Millinery from one of the worlds finest Milliners: PinkHammillinery I can make anything your little hat wearing heart desires right here in Shanghai. Stop by my studio to see some of my work, or send an inquiry to crystal.pfeifer@gmail.com

Hats & Kisses
Crystal
 

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Fur Fur Fur

by crystal pfeifer Friday 29 October 2010
Fur_blog_shot

Fur Fur Fur

I’m sorry it’s been so long since my last fashion update. To tell you the truth, I’ve found Shanghai to be a little uninspiring lately; I’ve been shopping the city high and low looking for something I just couldn’t live without, something hot to rock in the streets of Shanghai in the bone chilling winter months ahead of us.

Low and behold I finally found it in the streets of Tokyo last week.

Japanese girls all over the city were giving new meaning to the street slang “chasing a piece of tail” by actually wearing tails. Yes, real tails. (well, in the fairness of nature, these were eco conscious nicely made faux fur tails) but you get my point right? Imagine millions of hot little Japanese girls marching around the city with a fluffy tail swinging from left to right off her ass.

Okay… get a tissue and get back to my blog.

I’m not sure if tails will really take off worldwide, my boyfriend insisted that I buy one, and I did indeed rock it around Shanghai yesterday.  Survey says it was received well… one Chinese girl at the fabric market even copped a feel while I was looking at buttons, I pretended not to notice, and I’m pretty sure she pretended not to be jealous.

But back to my point ~ which is Fur, preferably the faux kind, and the two ways that you absolutely must be wearing it this winter:

1) On your legs. Winter fashion and boots go hand in hand. Ladies love them and guys love ladies in them. It’s a perfect relationship. Ranking just as high as tails on the fur factor were fur covered knee boots. You can get them anywhere. I also found a great pair of faux fur leg warmers. These are ideal because I can wear them with any of the boots I already own. You could even make a pair of furry leg warmers in any color you like at the fabric market. When I was racing home from M2 the other night on my scooter at 3 am, not only did I look haute with them draped over my Louboutin ankle boots…. But I was toasty warm. Who said fashion isn’t practical?

2) On your head. Soft furry hats are SO on target this season. Well, hats in general are on trend, but that will be my next blog. For now, start with a low profile fur hat, a soft beanie style will look best on most faces. I’ll admit, mine does say 100% rabbit fur on the inside, but hey ~ I’m a vegetarian & the amount of animals that have died for me are perhaps less than the guys ordering a medium rare steak at Fulton right now. If you are less fearsome, go for the gold with a nice big fluffy shaped one… everyone will be jealous come January when you are warm and they have frost bite.

XO

Crystal

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